MiniMax H3

The Office & Breaking Bad. 0:00–0:04 — Medium-wide handheld shot. Jesse angrily throws several shovelfuls of dirt into the deep hole. Realistic shovel impacts, scattering dirt, and heavy breathing. Dwight suddenly walks into frame, studies the hole suspiciously, and adjusts his glasses. 0:04–0:07 — Dwight looks down at Jesse with a smug, sarcastic expression and says: “Hello, little man. Digging your own grave?” 0:07–0:11 — Jesse immediately stops digging, slowly turns toward Dwight, and tightly grips the shovel. With an angry, threatening expression, he replies: “No, no, no… I’m digging it for you. Just like I did for Michael.” 0:11–0:15 — Dwight’s confidence instantly collapses. His face fills with horror, his eyes widen, and he begins crying and panicking dramatically. He grabs Jesse by the shoulders and screams: “No! What did you do to Michael?! Where is he? Tell me now!” Jesse remains completely emotionless, silently staring at Dwight while holding the shovel. The video ends abruptly on Dwight’s terrified face. #Flovaai #Flovacpp @Flovaai @Flovaai_Japan

Built this Korean crime-thriller teaser with MiniMax H3 @Hailuo_AI and the level of control is on another level. From cinematic noir to nuanced dialogue, H3 understands complex creative intent across text, visuals, motion, and audio. Prompt: 16:9, 15s, hyper-realistic Korean noir crime teaser. A rain-soaked Korean woman (late 20s, trench coat) enters an abandoned underground nightclub searching for her missing sister. A scarred crime boss (40s), presumed dead for years, emerges from the shadows with a lit cigarette. Atmosphere: 90s Korean noir, practical neon, rain, smoke, film grain, tactile realism, no CGI gloss. Shots: 1. She enters: "언니... 여기 있어?" 2. Lighter ignites, revealing his scar. "오랜만이네." 3. She freezes: "당신... 죽은 줄 알았는데." 4. Slow push-in. He smiles: "네 언니가 날 죽였다고 생각했겠지." 5. They lock eyes. Thunder. Cut to black. Audio: Rain, thunder, jazz crackle, lighter click, intimate silence during dialogue. #MiniMaxH3

“Sheldon Cooper sits in his spot on the couch, rigid and upright, hands on knees, wearing his signature layered t-shirt and long sleeve shirt. Leonard Hofstadter walks in through the front door carrying his bag, pushes up his glasses. LEONARD: “Sheldon, have you tried the new AI everyone’s talking about?” Sheldon turns his head slowly toward Leonard. Long pause. SHELDON: “I tried it. I gave it an IQ test.” Leonard sets his bag down. Looks up. LEONARD: “…And?” SHELDON: “It failed.” Beat. Sheldon turns back forward, completely unbothered. SHELDON: “I’m not surprised. I’ve met grad students smarter than it.” Pause. SHELDON: “Three of them.” Camera slow push in on Leonard’s face. He stares at Sheldon. Pushes up his glasses. Looks away. Hard cut. STYLE: Warm classic sitcom look. Steady camera throughout with slow deliberate push ins on reaction shots. Sheldon delivers every line completely straight — zero humor intended on his part. He is stating facts. Leonard’s reactions carry the comedy. Sheldon never looks at Leonard for more than one second — he considers this conversation already finished. The final “three of them” lands after a distinct pause — that gap is where the laugh lives. Hold on Leonard’s reaction for a full second before hard cut. 16:9 dimension.”

[FORMAT] 15-second vertical 9:16 photorealistic luxury-fragrance commercial with native synchronized stereo audio. [REFERENCES] [Image1] is the strict multi-angle identity and wardrobe reference for Freya Lux. Its six panels show one coherent person from different camera angles; reconstruct one consistent 3D character without averaging or redesigning her face. Preserve her exact facial structure, bright blue eyes, long platinum-blonde hair with darker roots, skin tone, apparent age, body proportions and the same tailored ivory trouser suit shown in [Image1]: closed single-breasted blazer, high-neck ivory blouse, full-length wide-leg trousers and closed-toe ivory heels. [Image2] is the strict product reference for AURELIA NO. 7. Preserve the rectangular clear-glass bottle, champagne-colored liquid, heavy transparent base, oval brushed-gold cap, cream label, proportions and exact product spelling in every shot. [SCENE] A minimal luxury hotel terrace at sunset overlooking the sea, realistic warm light, pale stone, glass reflections and a gentle breeze. Premium international fragrance campaign, elegant and sensual without fantasy styling. [SEQUENCE] 0–2s: Immediate hook. The exact AURELIA NO. 7 bottle slips from a marble ledge and falls toward the floor in realistic slow motion. Freya’s hand enters and catches it just before impact. 2–6s: Medium close-up revealing Freya. She looks composed and holds the bottle naturally while golden sunlight refracts through the glass and liquid. 6–10s: Controlled macro sequence: her fingers remove the oval cap, one refined spray catches the backlight, and the mist crosses frame. Preserve the bottle and label perfectly. 10–13s: Freya walks toward the terrace edge as the camera tracks beside her; hair and tailoring move naturally in the breeze. 13–15s: Clean ivory-and-gold packshot of the exact bottle on marble. Display perfectly spelled text: “AURELIA NO. 7” and “DEFINE YOUR AURA.” [VOICE-OVER] Elegant adult female English voice, warm, intimate and sophisticated, delivered slowly with natural pauses: “A trace of light. A presence that lingers. Aurelia No. Seven. Define your aura.” Freya does not speak or lip-sync; the narration remains off-screen. [MUSIC + MIX] Original minimalist luxury-fragrance score: soft glass harmonics, airy synth pads, delicate piano notes and a restrained warm bass pulse. No vocals and no recognizable melody. Keep the arrangement sparse and below the narration. Duck the music by approximately 8 dB while the voice speaks. Add subtle bottle movement, cap release, perfume spray, breeze and distant sea ambience. The voice must remain centered, dry, crisp and fully intelligible. Finish with a delicate glass-and-gold sonic logo during the packshot. [PRESERVE] Stable Freya identity, exact perfume bottle, correct label, realistic hand interaction, natural glass and liquid physics, coherent terrace and premium photographic realism. [AVOID] Bottle redesign, incorrect label, extra bottles, duplicated caps, distorted fingers, excessive perfume cloud, magical particles, artificial skin, identity drift, exaggerated posing, loud music, sung vocals, dialogue overlap, subtitles, additional text or watermark.

Style: dark-pop / cyber-grunge / rap music video with photoreal high-fashion polish and the texture of a scanned film magazine—high contrast without looking cheap. Reference late-1990s to early-2000s indie magazines, photocopies, film scans, underground-music posters, and zine collage. Add coarse grain, subtle gate weave, halftone dots, rough print edges, and slight scan misregistration. Keep the edit fast and use hard cuts only—no fades or soft transitions. Match the typographic treatment and surface texture of the reference images. #MiniMaxH3

Main subject: young Swedish woman, early 20s, natural look, faded charcoal-grey crop top, loose light-wash jeans, white sneakers, thin gold necklace, ash-blonde wavy hair in messy side ponytail with wispy bangs, fair skin, light freckles, minimal makeup, warm personality. Keep identity, clothing, hairstyle consistent throughout. Location: Swedish residential neighborhood, calm late morning. Narrow lanes, low-rise wooden/brick houses (Falu-red, yellow, white), terraces, potted plants, bicycles, wooden fences, birch/pine trees, moving shadows. No stores, ads, cafés, crowds. Style: Early-2000s DV camcorder aesthetic, friend casually filming, candid documentary realism. Handheld shake, imperfect framing, autofocus hunting, lens breathing, exposure pumping in sun/shade, motion blur, rolling shutter, compression artifacts, faded colors, soft contrast, sensor noise. No stabilization, no cinematic moves, no modern grading. 00:00–02 Outside house entrance, she sits on a wooden step adjusting her ponytail, breeze moves her hair, smiles as camera hunts focus. 00:02–04 Camera follows into a lane; she spots a stray cat, crouches, framing drifts off-center. 00:04–06 She pets and feeds the cat; autofocus shifts between face and cat; sunlight flickers through leaves. 00:06–08 Small yard, hangs laundry, fabric sways, exposure shifts as clouds pass. 00:08–10 On a terrace with coffee, watching the street, brushing hair back; handheld drift. 00:10–12 Close side profile, someone off-camera greets her; she turns, waves, smiles, says "Hej." Camera catches it late. 00:12–15 Walking a tree-lined lane holding her cup, notices camera, smiles, looks away, keeps walking. Cuts to black mid-motion. Audio: natural ambience only — birds, distant bike bell or car, wind, leaves, faint chatter, cat sounds, footsteps, fabric on line. No music, no narration. Goal: authentic Swedish neighborhood life like a forgotten early-2000s home video — candid, imperfect, warm, believable.